Sunshine on Leith (Original title)

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Dates: 2013 (Copyright), 04 October 2013 (Release)

Country: United Kingdom

Director: Dexter Fletcher

Synopsis: Musical using the songs of Scottish duo The Proclaimers. Two soldiers return to Scotland from Afghanistan, and set about finding love with two women they know.

Genres: Musical, Comedy

Subjects: Love, Marriage proposals, Wedding anniversaries, Tracing relations, War veterans

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Releases
Date: 04 October 2013Country: United KingdomRelease type: TheatricalFormat: 35mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.35:1Runtime: 99 mins 40 secs - Length: 8970 FeetDialogue (original): EnglishDistributor: Entertainment Film Distributors Ltd

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©: Entertainment Film Distributors Limited, ©: DNA Films Limited, ©: British Film Institute, Production Company: DNA Films, Production Company: Black Camel Pictures, Presents: Entertainment Film Distributors, [Presented] in association with: BFI, Creative Scotland, Executive Producer: Nigel Green, Executive Producer: Trevor Green, Produced by: Andrew Macdonald, Produced by: Allon Reich, Produced by: Arabella Page Croft, Produced by: Kieran Parker, Line Producer: Victoria Dabbs, Associate Producer: Joanne Smith, Associate Producer: Leah Clarke, Executive in charge of finance: Robert Street, Financial Liaison: Michael Gavriel, Director Of Lottery Film Fund: Ben Roberts, Senior Production and Development Executive: Natascha Wharton, Head of Production: Fiona Morham, Head of Production Finance: Ian Kirk, Director of Business Affairs: Will Evans, Production Executive: Robbie Allen, Business Affairs: Linda McClure, Production Manager: Claire Campbell, Production Co-ordinator: Anna Purkis, Production Co-ordinator: Lynsey Palmer, Extras Co-ordinator: Katharine 'K.K.' Kennedy, Gillian Tod, Production Accountant: Neil Cairns, Assistant Accountant: Paul Imrie, Unit Manager: Roz Traynor, Unit Manager: Tim Maskell, Facilities Manager: Robert Hepburn, Location Manager: Derek Yeaman, Location Assistant: Timothy Maskell, Locations Assistant: Adrian Burns, Location Assistant: Nik Parker, Post-production Supervisor: Clare St. John, Assistant to Black Camel Producers: Naysun Alae-Carew, Assistant to DNA Producers: Rebecca Cronshey, Production Assistant: Charlotte Hailstone, Production Assistant DNA Films: Alex Kendall, Production Runner: Greg Martin, Production Runner: Mark Rossi, Runner: Felicity Anderson, Runner: Nicola Brown, Runner: Mollie Moore, Production Trainee: Raluca Oros, Floor Runner: Abi Ross, 1st Assistant Director: Jonathan Farmer, 1st Assistant Director: Nick Heckstall-Smith, 2nd Assistant Director: Helen Fraser, 3rd Assistant Director: Marilyn Edmond, 3rd Assistant Director: Christian Otty, Script Supervisor: Lucy Ward, Script Supervisor: Ana Garrido, Casting: Nina Gold, Kahleen Crawford, Writer: Stephen Greenhorn, Based on his stageplay: Stephen Greenhorn, Director of Photography: George Richmond, Aerial Director of Photography: Adam Dale, 2nd Unit Camera Operator: Ossie McLean, Camera Operator: Chas Bain, Camera Operator: Julie Bills, 2nd Assistant Camera: Chris Maxwell, 2nd Assistant Camera: Dan West, Focus Puller: Sebastian Barraclough, 2nd Unit Focus Puller: Luke Coulter, John Harper, Focus Puller: Derrick Peters, Focus Puller: Luke Coulter, Focus Puller: Peter Keith, Camera Workflow Supervisor: Grant McPhee, [Digital Imaging] Technician: Donald McSween, Ben McKinstrie, 2nd Camera Assistant: Damian Leitch, 2nd Camera Assistant: Joachim Philippe, 2nd Camera Assistant: Amelie Weisbecker, Damian Leitch, Camera Trainee: Amelie Weisbecker, Camera Trainee for A&B Camera: Anna Chaney, Camera Trainee: Scott McIntyre, Crane Technician: George Powell, Scorpio Technician: Laurence Edwards, Crane Grip: Pete Nash, Gaffer: Paul Benson, Best Boy: Dan Finnigan, Electrician: Mike Benson, Electrician: Fraser Campbell, Electrician: Terry Eden, Genny Operator: Lenny O'Brien, Genny Operator: Ewan Epton, Grip: David Logan, 2nd Unit Grip: Jamie Logan, Grip: Josh Close, B Camera Grip: Dave Morrison, C Camera Grip: Guy Smith, Grip Assistant: Jamie Whitmarsh, Jamie Whitmarsh, VT Operator: Iain Thomson, Video Assistant: Christopher Kinghorn, Pete Harper, Stills Photogrpaher: Neil Davidson, Visual Effects Supervisor: Stéphane Naze, Visual Effects Executive Producer: Drew Jones, [Visual Effects] Head of Production: Melody Woodford, Visual Effects Co-ordinator: Dan Matley, Visual Effects: Method Studios, Digital Matte Painting: Olivier Pron, Digital Matte Painting: Ivan Girard, Eglantine Boinet, Compositor: Niki Papp, Compositor: Andrew Pinson, Compositor: Giorgia Pulvirenti, Jenny Wan, SFX Wetdown: Jim Elliott, CG Artist: Peter Forsyth, CG Artist: Frédéric Fourier, Match Move: Joseph Arnold, Eglantine Boinet, Editor: Stuart Gazzard, Digital On-line Editor: Emily Greenwood, Digital On-line Junior Editor: Russell White, Additional Photography Assembly Editor: Malcolm Crowe, 1st Assistant Editor: Giles Burgess, 1st Assistant Editor: Evan Crichton, Production Designer: Mike Gunn, Art Director: Zoë Wight, Art Director: Lydia Farrell, Standby Art Director: Lydia Farrell, Stand-by Art Director: Ryan Clachrie, Set Decorator: Claire Pidgeon, Graphics Artist: Caireen Todd, Petty Cash Buyer: Kyle McCallum, Props Master: Paul Campbell, Dressing Prop Hands: Cameron White, Gilbert Scott, Stand-by Prop Hands: Mario Lupi, John Knight, Prop Hand: Tony Sheridan, Art Department Assistant: Ryan Clachrie, Construction Manager: Alex Robertson, Construction Manager: Phil Bowen, Costume Designer: Anna Robbins, Costume Designer: Harriet Edmonds, Costume Stand-by: Harriet Edmonds, John Laurie, Costume Assistant: Elle Wilson, Costume Assistant: Layla Mall, Wardrobe Supervisor: Michael Weldon, Dani Millar, Make-up Designer: Nicole Stafford, Make-up Supervisor: Talli Pachter, Make-up Artist: Zoey Stones, Make-up Artist: Kate Elliot-Muir, Make-up Artist: Delia Letham, Make-up Artist: Vivienne Simpson, Make-up Artist: Anita Anderson, Make-up Assistant: Jennie Cooper, Title Design: Matt Curtis, Digital Colourist: Rob Pizzey, Video Dailies Streaming: Steeple Post Production Services, Original Songs: The Proclaimers, Original Score Composed by: Paul Englishby, Acoustic Guitars: John Parricelli, Acoustic Guitars: Dario Rossetti-Bonell, Steve Donnelly, Uppright Bass/Electric Bass: Simon Edwards, Uppright Bass/Electric Bass: Steve Pearce, Tim Harries, Drums: Kevin Campbell, Percussion / Bodhran: Paul Clarvis, Accordion: Mark Bousie, Gaelic Violin: Dermot Crehan, Flute/Penny Whistle: Jan Hendrickse, Clarinet: David Fuest, Harp: Hugh Webb, Orchestra Leader: Sonia Slany, Musical Director: Paul Englishby, Assistant Musical Director: Chris Traves, Music Associate: Roddy Hart, Score Co-ordinator: Catherine Grieves, Music Editor: Allan Jenkins, Music Editor: Lewis Morison, Music Recording Engineer: Steve Price, Protools Engineer: Jeremy Murphy, Vocals Recorded and Edited by: Chris Traves, [Music] Recorded at: Angel Studios, Vocals Recorded and Edited at: Glasgow Gorbals Sound, Musicians Contractor: Isobel Griffiths, Assistant Musicians Contractor: Lucy Whalley, Music Preparation: Colin Rae, Choreographer: Rosie Kay, '500 Miles' Choreographer: Arthur Pita, Choreographer’s Assistant: Chris Linda, Assistant Choreographer: Yann Seabra, Emily-Jane Boyle, Sound Design: Glenn Freemantle, Sound Recordist: Alastair Mason, Sound Assistant: Ryan Hill, Sound Maintenance Engineer: Kian McClure, Re-recording Mixer: Ian Tapp, Re-recording Mixer: Niv Adiri, Sound Mix Technician: Adam Scrivener, Timothy Siddall, Sound Design and Post-production: Sound 24, Re-recorded at: Pinewood Studios, Supervising Sound Editor: Glenn Freemantle, Assistant Sound Editor: Nicholas Freemantle, Dialogue Editor: Emilie O'Connor, Sound Effects Editor: Niv Adiri, Sound Effects Editor: Eilam Hoffman, Sound Effects Editor: Danny Freemantle, Loop Group: Sync or Swim, ADR Recordist: Mike Tehrani, ADR Recordist: Emmet O'Donnell, ADR Mixer: Mark Appleby, ADR Mixer: Peter Gleaves, ADR Editor: Gillian Dodders, ADR Voice Casting: Phoebe Scholfield, ADR Recorded at: Goldcrest Post, Foley Artist: Andrea King, Foley Mixer: Glen Gathard, Assistant Foley Mixer: Luke Brown, Foley Editor: Hugo Adams, Foley Recorded at: Shepperton Studios, {Aerial Unit} Technical Supervisor: Dave Francis, Stunt Co-ordinator: Dani Biernat, Stunt Co-ordinator: Dani Biernat, Fight Director: David Goodall, Stand-in: Tony Greengrass, Stand-in: Laura Hardie, Military Advisor: Frazer Mills, Post-production Script: Fatts, Production Legal Services: Miles Ketley, Production Legal Services: Guy Sheppard, Wiggin LLP, Unit Publicist: Freud Communications, EPK [Electronic Press Kit]: Lindsay Goodall, EPK Cameraman: Ryan McHenry, EPK Post-production: PMA Productions, Camera Equipment Supplied by: Arri Media, Digital Intermediate by: Company 3, Digital Intermediate Producer: Marie Fernandes, Digital Intermediate Head Of Department: Patrick Malone, Digital Intermediate Assistant Producer: Jonathan Collard, Cheryl Goodbody, Digital Intermediate Assistant: Aurora Shannon, Peter Collins, Digital Film Technical Supervisor: Laurent Treherne, Digital Film Bureau: Fiorenza Bagnariol, Digital Film Bureau: Timothy P. Jones, Digital Film Bureau: Laura Pavone, Gordon Pratt, Data Wrangler: Dan Helme, Systems Administrator: Neil Harrison, Completion Bond Services: Film Finances, Collection Agent Services: Fintage House Collection Management

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Peter Mullan (Rab), Jane Horrocks (Jean), George MacKay (Davy), Antonia Thomas (Yvonne), Freya Mavor (Liz), Kevin Guthrie (Ally), Jason Flemyng (Harry), Paul Brannigan (Ronnie), Sara Vickers (Eilidh), Michael 'Cuban' Keat (barman), ‘Wee’ John Spence (Brendan), Paul McCole (Ewan), Emily-Jane Boyle (Christine), Emma Hartley-Miller (Janice), Elaine Mackenzie Ellis (Morag), Gayle Telfer Stevens (Francine), Julia Taudevin (barmaid), Daniela Nardini (chef), Nick Farr (doctor), Roddy Hart, Geoff Martyn, John Martin, Gordon Turner, Scott Clark (anniversary band)

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